OONA, a conceptual artist, recently spoke about her performance art exhibition titled “Look Touch Own,” which showcases her own former breast implants that have been tokenized. The conversation took place at Rug Radio’s R Haus event during Art Basel Miami in December 2023. During the discussion, OONA explores the intersection of art and technology, highlighting the tokenization of physical objects and the implications it has on ownership and perception.
The exhibition itself raises questions about the commodification of the human body and challenges traditional notions of ownership. By tokenizing her breast implants, OONA allows them to exist in the digital realm as unique assets that can be bought, sold, and owned by individuals. This blurring of the lines between physical and digital ownership provokes thought-provoking conversations about the nature of art and value.
OONA discusses how the process of tokenization grants her implants a new sense of agency and immortality. By transforming them into digital assets, she imbues them with the ability to transcend time and space, as they can now be accessed and owned by anyone with an internet connection. This transformation challenges the traditional concept of art as a static object confined to a physical space.
Overall, OONA’s “Look Touch Own” performance art exhibition pushes the boundaries of art and technology while inviting viewers to reflect on the nature of ownership and perception. By tokenizing her former breast implants, she challenges traditional notions of art ownership, blurring the lines between physical and digital realms. This thought-provoking exhibition prompts us to contemplate the evolving relationship between art, technology, and the human body.
